Vir2 Instruments Q User Manual Page 31

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Mojo Horn Section - Sibelius Sound Set User Manual | 31
Lines
Sta lines are similar to articulation marks with two notable dierences: they may act
on multiple sequential notes, and the length of the line determines the point at which
the technique or eect ends. Sta lines require less discussion than articulations or text
instructions, but the behavior of three common lines deserves a mention.
Playback of slurs is dependent on a minimum of two notes, the rst note to which the
slur is attached and the last note (and any notes in between). While the slur marking
will create a sound ID change at the beginning of the rst note, the legato transition
will not be heard until a subsequent note has been triggered. e transition will then
sound for each note under the slur line.
Glissando and portamento lines react the same way as slurs but are worth mention-
ing on their own because the eect of “waiting for the second note” is much more
pronounced. When written, glissando and portamento lines often indicate a transi-
tion should be applied in the space between the notes to which the line is attached.
Live players accomplish this by looking ahead, nding the desired ending pitch, and
applying the transition accordingly. By contrast, Sibelius is not able to look ahead to
determine the ending pitch and instead must wait for that note to be triggered before
applying the transition eect. e result is a transition that triggers in the space of the
second note rather than the space between notes.
Unfortunately, there is no easy way of overcoming this (short of entering hidden
pitches between the notes in an eort to “fake it”), but with the growing number of
libraries oering true glissando and portamento transitions, many include the ability
to control the speed of the transition. ough not a perfect solution in every situation,
when this control is available, altering the speed of the transition may help to disguise
this eect in some small way.
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